This post begins a 12-month ShrineTower series contemplating Mary through prayer and sacred art. Beginning with September, each monthly reflection will explore a Marian prayer, its meaning and origin and the artwork accompanying it.

September is traditionally associated with Our Lady of Sorrows, whose memorial the Catholic Church observes on September 15. This devotion remembers the sufferings Mary endured in union with her Son, particularly as she stood beneath the Cross.

In Loving Memory of My Mother

This series is dedicated to my mother, Donna Ann Wilde, who entered eternal life on July 3, 2026.

As her son, I find a particular meaning in contemplating the bond between Jesus and His Mother—a bond of love that remained unbroken through suffering, death and Resurrection. Through the Communion of Saints, I remain united with my mother in Christ.

Under the guidance of Mary, Mother of God, I offer this series in my mother’s loving memory and as a continuing prayer for the repose of her soul.

Eternal rest grant unto her, O Lord, and let perpetual light shine upon her. May she rest in peace. Amen.

Prayer to Our Mother of Sorrows

Mary at the Cross

The prayer begins with one of the most sorrowful moments in Scripture:

“Standing by the cross of Jesus were his mother…”
—John 19:25

Mary could not remove her Son’s suffering, but she refused to abandon Him. She remained with Jesus when many of His followers had fled. Her presence beneath the Cross reveals a love that remains faithful even when it cannot change what is happening.

The title Our Lady of Sorrows also recalls Simeon’s prophecy when the infant Jesus was presented in the Temple:

“And you yourself a sword will pierce.”
—Luke 2:35

That prophecy reaches its fulfillment on Calvary. As St. John Paul II explained, Mary’s pilgrimage of faith, which began at the Annunciation, reached its culmination at the foot of the Cross. She continued to believe even as she witnessed the suffering and death of the Son promised to her. 

Our Spiritual Mother

The prayer calls Mary “our spiritual Mother.” This comes from Christ’s words spoken from the Cross:

“Woman, behold, your son.”
Then he said to the disciple, “Behold, your mother.”
—John 19:26–27

The beloved disciple, traditionally identified as John, represents not only himself but all disciples of Christ. In entrusting Mary to John, Christ also gives her as a spiritual mother to the Church.

The Prayer’s Liturgical and National Shrine Roots

The opening words of this prayer closely follow the former English translation of the collect used at Mass for the Memorial of Our Lady of Sorrows. That liturgical prayer asked that the Church, united with Christ in His suffering and death, might also share in His rising to new life. The prayer presented here adapts that petition by turning our attention toward Mary as our spiritual Mother and patroness in Heaven.

A closely related form of this prayer is displayed on a kneeler in the Chapel of Our Mother of Sorrows at the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C.

At the center of the chapel is a life-size marble Pietà depicting Mary holding the body of Jesus after He was taken down from the Cross. Bronze reliefs depicting her other sorrows flank the sculpture. Although Marinari’s The Madonna is not part of the chapel, the painting and the chapel contemplate the same mystery: Mary’s faithful love amid the suffering and death of her Son.

The Madonna by Onorio Marinari

The accompanying painting is The Madonna, an oil painting by the Florentine Baroque artist Onorio Marinari (1627–1715). The work measures 79 × 63.5 centimeters. Its attribution to Marinari was confirmed by art historian Sandro Bellesi when the painting appeared in a 2020 Dorotheum auction.

The stillness of the image is part of its power. Mary’s sorrow appears restrained rather than dramatic, becoming a quiet, persevering prayer. She remains faithful beneath the weight of suffering and waits in faith for what she cannot yet see—the Resurrection.

Marinari studied with his father before working in the studio of his cousin Carlo Dolci, one of Florence’s leading painters of devotional subjects. Although Marinari remained strongly influenced by Dolci, the Dorotheum catalogue describes this painting as possessing an individual quality of intense devotion and beauty.

A Mother’s Presence

This first reflection has particular meaning for me. My mother’s death has led me to contemplate more deeply the bond between a mother and her son. I approach Mary at the Cross as a son grieving his mother, while Mary stands there as a mother grieving her Son.

Our experiences are not the same, but they meet within the mystery of faithful love. Mary teaches us that grief and faith can exist together. She remained beside Jesus when she could not remove His suffering and she continued to trust when she could not yet see the Resurrection.

Those who grieve are invited to stand with Mary at the Cross. There, sorrow is neither dismissed nor given the final word. Through Christ, the Cross opens toward Resurrection and eternal life.

A Closing Prayer

Our Mother of Sorrows, remain beside us in our suffering. Lead us to the Cross of your Son and strengthen our hope in His Resurrection. Remember especially those we love who have passed from this life and lead us all into the eternal presence of Christ. Amen.

Sources

• Basilica of the National Shrine of the Immaculate Conception, Mother of Sorrows Chapel.
• St. John Paul II, Homily for the Memorial of Our Lady of Sorrows, September 15, 1987.
• Dorotheum, Old Master Paintings, Onorio Marinari, The Madonna, November 10, 2020.

Image: The Madonna, Onorio Marinari, oil on canvas, 79 × 63.5 cm. Public-domain image courtesy of Artvee.